Number of church members in the 50 largest cities. Leading denominations among the negro churches, according to number of churches and church members, respectively, by States, 1936 83 detailed tables. Number of churches and membership classified by sex and age, with separate figures for urban and rural churches, by denominations. Value of church edifices and debt, with separate figures for urban and rural churches, by denominations. Church expenditures during year, with separate figures for urban and rural churches, by denominations. Value of parsonages for all churches, and statistics of Sunday schools distinguislied as urban and rural, by denominations.
Persepolis: The Story of a childhood Summary gradesaver
Rank of States according to number of churches and church menabers. Rank of States according to sunday schools and Sunday school scholars, 1936. Denominations ranking statement first, second, and third, respectively, according to number of churches, in each State, 1936. Denominations ranking first, second, and third, respectively, according to number of church members, in each State. Number of church members, in the principal denominations. Number of churches, by divisions and States. Number of church members, by divisions and States. Average number of members per church, exclusive of Jewish Congregations, by geographic divisions. Denominations ranking first, second, and third, respectively, according to number of churches, in the 50 largest cities. Denominations ranking first, second, and third, respectively, according to number of church members, in the 50 largest cities.
Urban versus rural figures 40, individual denominations by States 43, growth or decline of churches since 1906. Membership growth 50, development of Sunday schools 52, changes in church expenditures. Increase in edifice value 55, increase and decrease by States. Changes in Sunday school enrollment by States. Changes in church finances by States. Denominational expansion by States 63, church totals for large cities. Denominational data for cities 66, church membership increase 72, the negro church. Value of Negro london church edifices 75 Negro church expenditures 76 Negro parsonages 76 Negro sunday schools 77 Distribution of Negro churches 77 Negro church finances by States 79 Statistics of Negro denominations by States 82 Growth of Negro churches 84 Growth in Negro church finances.
Analysis of results, summary 17, churches and their members 17, number of members. Members under 13 years of age. Members per church 22, sex ratios 23, church finance. Total value of edifices statement 24, edifice value per church 24, debt on church edifices. Total church expenditures 27, local expenses versus benevolences 29, value of parsonages. Denominational church schools 31, distribution of churches 34, state membership by sex and age. Sunday schools by States 37, church edifices by States 39, church expenditures by States.
And yet it ultimately feels like it is far too little, and too light. return to top of the page - links : Persepolis : Pantheon publicity page Excerpts at The Iranian (allow time for graphics to load) Profile in daily telegraph reviews : Persepolis - the film : Marjane satrapi : Other books by marjane satrapi under. She now lives in France. return to top of the page the complete review main the new the best the rest review Index links. Religious Bodies, 1936 - volume 1: Summary And Detailed Tables you are here, religious Bodies, 1936 - Volume 2, part 1: Denominations, a to j - statistics, history, doctrine, organization, And Work. Religious Bodies, 1936 - volume 2, part 2: Denominations, k to z - statistics, history, doctrine, organization, And Work. Contents, introduction, scope of the report 3, schedule for local church organizations. Small sects 7, methods of collecting data 7, conduct of the work. Plan of the report 8, classification of religious bodies 9, list of denominations for 1936.
Persepolis: The Story of a childhood Themes Gradesaver
This is where the English-language edition of Persepolis ends; Satrapi has meanwhile published another volume in French, continuing the story (we now have this, part three of the tale, under review too). Notably absent in the text (and the pictures) are any ayatollahs, even Khomeini - a telling refusal to acknowledge these religious leaders (so-called) who have driven the country so far backwards over the past two decades of completely misguided rule. Significant historical events - the us embassy hostage crisis, the rex Cinema fire, the political changes in the first years after the fall of the Shah - are generally dealt with quickly. Satrapi focusses much more on the smaller everyday occurrences that stand out in the life of a girl such as her. It does offer a good picture of Iranian life at that time - though many questions remain.
Indeed, the account is very sketchy, and summary most readers surely would be very interested in more details about her family and background, especially since their lifestyle seems remarkably comfortable even in very difficult times. The girl she was remains an interesting, relatively believable character. From her early ambitions (to be a prophet) to her favourite book (it "was a comic book entitled dialectical Materialism to her adolescent rebellion and childish confusions, the young Marji is well conveyed. The illustrations do enrich much of the text - yet because it is a comic book there is very little text. Ultimately, the stories are reduced to a few scenes, and a few words - barely outlined, very sketchy. Some are very effective as such, as most of the horrors don't need to be dealt with in detail to be understood for the horrors they mom were.
(In one of the clever bits in this book this comment by the young girl is then twisted around and used against her.) The crackdown by the Islamic fanatics who came to assume power is something that apparently came fairly surprisingly to satrapi's parents' circle. The idea that: "the religious leaders are very stupid, they won't last" seems a typical (and completely misguided) sentiment. Soon enough, demonstrating against the fundamentalists came to be too difficult and everyone found themselves under their repressive yoke. Some more than others, however: the child's family even went abroad in September 1980 - not fleeing the country, as many were, but on a european vacation they realized soon such things would no longer be possible when they returned they found Iran was. (Typically, too, the child - ever the patriot, despite the ridiculous regime now running the show - immediately thinks: "I wanted to fight.
The book is perhaps at its best in describing the situation in this time of war. Tehran was bombed repeatedly, as were other parts of Iran, and Satrapi gives a decent picture of what that was like, and the suffering endured. The pressures on youths - boys, especially - and their families is well conveyed. Meanwhile, also, life went on much like normal - as far as it could be normal. The family still had parties, still had alcohol. Satrapi's parents went on a trip to turkey and brought her back posters of Kim Wilde and Iron maiden (talk about anti-revolutionary statements for a young girl to want to make in her bedroom!). Satrapi's adolescent rebellion also manifested itself in school - dangerously. Eventually it is decided that it would be better for her to go abroad, so her parents send her to vienna.
Persian art - wikipedia
Soon enough, however, she looks back and reveals a bit more about herself, as well as the summary background of the Iranian revolution. The Iranian revolution was not a simple triumph of (fanatical) Islam over the then-Shah. The Shah had lost the support of large segments of the population, including those on the left. There were many protest (in which Satrapi's parents also participated). Much is told from a child's often partially uncomprehending point of view reviews - a girl to whom concepts such as class differences and various ideologies often aren't clear. Reactions - such as to the veil - are often largely visceral - or childlike; it's an effective way of showing much of what was and went wrong in those years. And even the child has some sense of some of the disturbing ease with which change comes, as when she complains when her teacher tells the students to tear the pictures of the Shah out of their textbooks after his fall - the same teacher.
Many of the drawings resemble woodcuts, and Satrapi very effectively uses black and white: clothes, backgrounds, and various details are sometimes black, sometimes white, making for effective, stark contrasts. The story is told episodically, chapters focussing loosely on specific events - "The veil "The key" (plastic keys given to young soldiers that would get them into heaven if they died in battle "Kim Wilde" (Satrapi was a fan etc. Together, it adds up to a decent (if very small) picture of Iran between 19Satrapi's story focusses on how she remembers the Iranian revolution and then the first years after. Her family was a left-leaning one (despite the fact that her great-grandfather was the last (real) emperor of Iran) and several relatives were killed for their political affiliations and ambitions. She also clearly lived a relatively privileged life. Satrapi was only around ten at the time of the revolution. She begins her story afterward, with the imposition of mandatory veil-wearing for women (and girls and the separation of the sexes in school.
perspektive gemildert - aber nie. (.) This guileless tone, balanced by the book's humor and its stark illustrations, reveals in startling ways the realities of growing up amid war, revolution and a fundamentalist regime." - bernadette murphy, the los Angeles Times "That Persepolis 1, a book in which. That she does this consistently for 153 pages is a mighty achievement. The dialogue seems somewhat stilted" - christopher Theokas, usa today "This is what Satrapi does best - she's a scavenger of daily incident, spotting the tiny and not-so-tiny cracks in society during and after of the revolution. (.) Satrapi's super-naive style is powerful; it persuasively communicates confusion and horror through the eyes of a precocious preteen. But Persepolis conveys neither the emotional depth of maus nor the virtuosity of joe sacco's journalistic comics." - joy press, The village voice s)ie hat ihren ganz eigenen Stil gefunden: fast kindlich-naiv anmutende bilder in hartem Schwarzweißkontrast, die marjis Geschichte mit all ihren grauenhaften und. Similarly the illustrative"s chosen here are merely those the complete review subjectively believes represent the tenor and judgment of the review as a whole. We acknowledge (and remind and warn you) that they may, in fact, be entirely unrepresentative of the actual reviews by any other measure. return to top of the page - the complete review 's review : Persepolis isn't a graphic novel - it's an autobiographical comic strip ( bande dessinée describing author Marjane satrapi's youth in revolutionary and then war-torn Iran. Satrapi's drawing style is very simple, the figures very basic, the scenes rarely involving much detail.
Of books A 24/3/2005 Patricia storace The ny times book rev. A 11/5/2003 Fernanda Eberstadt Salon. 5/5/2003 Michelle goldberg The times. 21/5/2003 Malu halasa usa today. 6/8/2003 Christopher Theokas The village voice b 2/5/2003 joy press die zeit. 29/4/2004 Matthias Nass From the reviews : U)ne passionnante autobiographie en dessins. (.) Associant des textes dune sobriété enfantine (qui nempêche pas quelques belles envolées poétiques) et un dessin en à-plats assignment noir et blanc qui rappelle les enluminures des ouvrages moyenâgeux, marjane satrapi réussit à mettre en scène une toute autre image que lOccidental peut se faire.
Persepolis (Takht - i - jamshid Ali - sami
A, literary saloon site of review. Trying to meet all your book preview and review needs. To e-mail us: the complete review - comic book, persepolis by, marjane satrapi general information review summaries our review links about the author, original title: Persépolis i and. Ii, persepolis was made into a movie in 2007, directed by vincent Paronnaud and Marjane satrapi, and with the voices of Catherine deneuve and Chiara mastroianni - return to top of the page, our Assessment: B : decent glimpse of revolutionary Iran. See our review for fuller assessment. Review Summaries, source rating Date reviewer, l'Express. 11/3/2004, presentation andreas Platthaus, the la times, a 22/6/2003. Bernadette murphy, the ny rev.